Lundinke

Lundinke

Stop Racing a Clock That Isn’t Yours

Music doesn’t reward speed, it rewards depth, honesty, and staying in the game.

Feb 10, 2026
∙ Paid

Here’s the uncomfortable truth I wish someone had told me earlier:

The guitar skill that removes the most friction isn’t speed.
It isn’t theory.
It isn’t tone, gear, modes, or exotic scales.

It’s time.

More specifically: time feel and rhythmic control.

I know—anticlimactic. Not sexy. No Instagram fireworks.
But stay with me, because this is one of those rare skills that quietly fixes everything else.

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Why guitar feels hard even when you “know enough”

Most guitar frustration doesn’t come from lack of knowledge.

It comes from friction.

That feeling when:

  • You know what to play, but it doesn’t land

  • Your hands are fine alone, but fall apart with others

  • You practice a lick for weeks and it still sounds stiff

  • You avoid jamming because you don’t “lock in”

  • You feel rushed… or late… or invisible in the mix

That friction drains confidence faster than missed notes ever could.

And here’s the kicker:

Almost all of it traces back to rhythm.

The hidden tax of weak time feel

When your time isn’t solid, everything costs more:

  • Simple parts require excessive focus

  • Fast passages feel impossible

  • Groove-dependent styles feel “off limits”

  • Playing with others feels risky

  • Practice sessions feel exhausting instead of energizing

You end up compensating:

  • Overplaying to feel relevant

  • Speeding up to mask insecurity

  • Avoiding space because silence exposes timing

  • Memorizing shapes instead of feeling phrases

That’s not a talent issue.
That’s a timing issue.

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The “aha moment” most guitarists never have

Here’s the shift that changes everything:

Good time makes simple playing sound impressive.
Bad time makes impressive playing sound amateur.

Read that again.

A single note, placed perfectly, will outperform a flurry of notes placed poorly….. every time.

This is why:

  • Funk guitarists sound deadly with two notes

  • Jazz comping feels expensive even when sparse

  • Great rhythm players get called back

  • Session players work forever

They remove friction for everyone else.

Why time feel is leverage, not limitation

Most players think rhythm work “slows you down.”

In reality, it unlocks speed, freedom, and confidence.

When your internal clock is strong:

  • Fast passages relax

  • Syncopation feels playful, not stressful

  • Space feels intentional

  • Mistakes recover smoothly

  • Other musicians trust you instantly

Time feel is musical credibility.

You don’t have to announce it.
People feel it.

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The difference between counting and owning time

Let’s clarify something important.

Time feel is not:

  • Counting mechanically

  • Staring at a metronome

  • Practicing like a robot

  • Becoming stiff or rigid

Great time feel is elastic. Human. Alive.

It’s the ability to:

  • Sit slightly behind the beat on purpose

  • Push energy forward without rushing

  • Lay back without dragging

  • Place notes with confidence

  • Maintain pulse even when everything drops out

That’s not math.

That’s ownership.

The single habit that builds time feel faster than anything else

If I had to reduce this to one practice behavior, it would be this:

Practice fewer notes, deeper in time.

Not more notes.
Not harder notes.
Not faster notes.

Fewer notes. Better placement.

That alone removes massive friction.

A practical reset you can use today

Here’s a dead-simple starting point that works at any level.

Exercise 1: The one-note truth test

  1. Set a metronome to a slow tempo (60–70 BPM)

  2. Play one note

  3. Place it exactly on the click

  4. Let it ring

  5. Don’t fill space

  6. Listen deeply

Then:

  • Try placing the note slightly behind the click

  • Try slightly ahead

  • Return to dead center

You’re training control, not speed.

Most players rush past this because it feels “too basic.”

That’s the friction talking.

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